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Album Review: WITNESS UGANDA (AN AMERICAN MUSICAL) Features Beautiful Vocals ... To be totally frank, I had never heard of WITNESS UGANDA (AN AMERICAN MUSICAL) until its concept album appeared in my inbox for review.
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Album Review : Scorpions : Rock Believer - Metal Planet Music That album was going to be one of about half a dozen albums, that shaped my musical tastes that have stayed pretty much the same until this day. That ...
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JIZZY PEARL'S LOVE/HATE - "HELL CA." Album Review - The Rockpit Fast forward 32 years and here we are with Jizzy's Golden Robot Records debut 'Hell. CA' named after one of those songs on that magical debut. We ...
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Bakar: Nobody's Home review – a spectacularly strong sense of place | Music | The Guardian The singer-songwriter's eloquent if uneven debut album is stamped with the sounds of north London – Winehouse, Blur – where he grew up.
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MUSIC review — Pop-punk queen Avril Lavigne reigns on 'love sux' It's been almost 20 years since her debut album "Let Go," was released in the summer of 2002. But the Grammy Award-nominated artist is reminding ...
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Album Review: sun is poison "i thought i left you in eden" | Nippertown There were certain songs that seemed to be more memorable than others, such as "swallowed sword;" nice chord progressions and melodies bolstered this ...
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Album Review: THE BODY & OAA Enemy Of Love - Metal Injection "Fortified Tower," for example, has a lot more OAA pretense on it for a chunk of the song. But for the most part, most songs are like "Obsessed Luxury ...
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Rash Decision: Year of The Silence - Album Review - Louderthanwar.com And there are plenty of crew vocals – youth crew or pirate crew, you decide. It's not music for the faint hearted, me hearties. For the most part the ...
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Album Review: Beshken - Pantomime - mxdwn Music Chaos with composure Ben Shirken, New Yorker and artist behind Beshken, releases sophomore album Pantomime. The 11 tracks within the album serve ...
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Classical Album Reviews: Sibelius Symphonies from Klaus Mäkelä and Owain Arwel Hughes Ultimately, there's a sense here of the conductor being too beholden to the letter of the music rather than its overriding spirit. Symphony No. 2.
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